French composer of operas. His operatic masterpiece Carmen was produced a few months before his death. His Symphony in C, written when he was 17, is now frequently performed.
English composer. Among his many works are the Young Person's Guide to the Orchestra (1946); the chamber opera The Rape of Lucretia (1946); Billy Budd (1951); A Midsummer Night's Dream (Shakespeare; 1960); and Death in Venice (after Thomas Mann; 1973).
English composer. His haunting, richly harmonious works include the opera A Village Romeo and Juliet (1901); the choral pieces Appalachia (1903), Sea Drift (1904), and A Mass of Life (1905); orchestral works such as In a Summer Garden (1908) and A Song of the High Hills (1911); chamber music; and songs.
Czech composer. He settled in New York after the Nazi occupation of Czechoslovakia in 1939. His music is voluble, richly expressive, and has great vitality.
Italian composer. He was the most successful opera composer of his time, producing 20 operas in the period 1815-23. He also created (with Gaetano Donizetti and Vincenzo Bellini) the 19th-century Italian operatic style.
English composer. Her works include Mass in D (1893) and operas The Wreckers (1906) and The Boatswain's Mate (1916). In 1911 she was imprisoned as an advocate of women's suffrage.
German composer. His operas (and he wrote little else) have been seen and discussed as uniquely profound studies of human psychology and existence, treating central themes of love, salvation and society, but they have also had more worrisome supporters.
Austrian composer. He wrote more than 250 lieder (songs), including the Mörike-Lieder/Mörike Songs (1888) and the two-volume Italienisches Liederbuch/Italian Songbook (1892, 1896).
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From Encyclopedia of American Studies
The American Broadway musical is arguably the most distinctive and original theatrical form to develop in the United States and one of the most prominent forms of American popular entertainment of the twentieth century.
20th-century form of dramatic musical performance, combining elements of song, dance, and the spoken word, often characterized by lavish staging and large casts.
