Rasmuson Library Tweets
Our indexer, Lisa has finished describing the Arnold Granville Photographs which we have put online in Alaska’s Digital Archives. Here’s what she has to say:
Arnold Granville took over 300 photos as a district supervisor for the Alaska Department of Education,though he had been a teacher and a principal prior to his taking on the supervisory role. Some of the places he lived and taught school are seen in this collection, where he makes mention of them. Most of these photos were taken between 1953 and 1965, though a few were taken as late as 1975. A large portion of these photos are taken in the Aleutian Islands and the Alaska Peninsula. There are a few photos of schools in the Interior, such as Minto and Tok. Some of the larger schools are also captured in this collection, such as Anchorage High School and Palmer High School. I found Afognak’s schools interesting, though sadly they did not survive the tsunami that destroyed the village in 1964 after the Good Friday earthquake.
I absolutely love this collection! Having worked in elementary schools for almost ten years, I thoroughly enjoyed seeing the many students and school buildings of rural Alaska. Many of the locations are very remote, and strikingly beautiful. The views out of some school windows are of pristine Alaskan bays and mountains. Several of the schools were one-room schoolhouses serving all grades in the area in which they were built. One school had a VW mini-bus as their school bus. Another school, in Anaktuvuk Pass, had to be flown in! The teacherages were unique as well, since many of them were actually a part of the school building itself. A few of them were trailers next to the school, while some were quaint little (emphasis on little) cabins near the school buildings. One can only imagine the challenges of conducting school in such isolated places, where supplies must be flown in or brought in by boat. If you enjoy looking at maps, I suggest looking up some of these locations on Microsoft virtual earth—it really gives a good perspective on how remote many of these schools really were. One can only imagine what it might have been like to be a teacher fresh out of college, going to teach in one of these Alaskan villages.
Our indexer, Alex has finished describing the The Alaskan Air Command Photograph Collection which we have put online in Alaska’s Digital Archives. Here’s what he has to say:
This is an album comprised of twenty-five photos documenting Operations Rainbow and Fish for Kids, the Air Command’s efforts to stock Lake Louise, Green Lake, Gregory Lake, and Six Mile Creek with rainbow trout during the summer of ’55. Mostly practical but occasionally striking, the photos are composed in black and white, with captions that provide fairly detailed descriptions of the steps involved in stocking Alaska’s waterways.
“Carried in suspension for the water,” for example, depicts several hundred trout fry being introduced to Six Mile Creek via a long hose attached to a tank in the back of a truck. “Past tests have proven losses are negligible by this method,” says the caption, though, to my mind, the most interesting thing about this photo is its composition: While two men labor to operate the hose in the foreground, in the background, a film crew has set up on the banks of the creek. In this way, an entire scene is evoked.
Similarly, “Rainbow fry in the troughs” is a dynamic image that offers insight into an earlier step in the fish-planting process. “This is the start of Project ‘Fish for Kids,’” reads the caption, and the picture itself is positively brimming with different energies and textures: sun and shadow; the still, sturdy grid formed by the troughs; the squiggling and the wriggling of the fish.
Finally, “Personnel that made the plant” gives us a look at the men involved in these projects, putting a human face on the whole operation. It’s the final photograph in the collection, which I think is fitting. Though the Alaskan Air Command Photograph Collection is probably of most interest to those involved in fisheries or in the history of fish-stocking in Alaska, it’s also full of unique and compelling images from a bygone era.
The Oral History Program at Elmer E. Rasmuson Library at the University of Alaska Fairbanks is pleased to announce completion of the Cold War in Alaska: Nike Missile Sites Project Jukebox, available on-line at www.jukebox.uaf.edu/akcoldwar.
People who visit this site can listen to oral history recordings with veterans who worked at Nike Missile Sites in Anchorage and Fairbanks in the 1960s, as well as with experts on the effects of the Cold War on Alaska. You can hear about damage to the missile sites in Anchorage from the 1964 Earthquake, and what it was like working with nuclear warheads. There are stories about spies, airplanes being shot down, and the role Alaska played in the Cold War.
This project was supported by funding from the Alaska Historical Commission.
For more information about the project, please contact:
Leslie McCartney, Curator of Oral History, University of Alaska Fairbanks
firstname.lastname@example.org (907) 474-7737
Karen Brewster, Research Associate, University of Alaska Fairbanks
email@example.com (907) 474-6672
Our indexer, Lisa has finished describing the On the Road Recording Old Timers: the British Petroleum Oral History Project which we have put online in Alaska’s Digital Archives. Here’s what she has to say:
This collection is an added component of a much larger project which was a series of interviews done with pioneer Alaskans. Recorded in 1990, these interviews covered a wide range of Alaskan life. Take, for instance, Alaskan coal miners from the mid-1940s…you can almost feel the camaraderie among the miners. It can also be seen between the artillery soldiers stationed at Yakutat Bay during World War II.
One of my favorite pieces in this collection was a Christmas card made from a photograph of Clyde and Nellie Sherman. The letter on the back was written to Nellie’s friend during World War II, providing an interesting glimpse into that time in history.
Pearl Bragg Laska (nee Chamberlain) had a challenging time getting to Alaska in 1944, where she’d heard there was a need for pilots—but make it she did.
From founders of homes for girls, to hunters, farmers, and educators, you’ll find plenty of interest within this collection. You’ll even find Shirley Temple Black making an appearance in this collection during her visit to Fairbanks!
The taped interviews that go along with the photos in this collection are available at the Rasmuson library; some have been put online in Alaska’s Digital Archives. I hope you’ll take the time to listen to a few. I’ve had the privilege of listening to some and I highly recommend them! They give a world of meaning to the photos you’ll see in this collection.
The library is closed to the public today, Wednesday, June 24, 2015. Consequently the research room is closed to the public. We are very sorry for the inconvenience.
Do you have a story about the Archives that you would like to share?
Please post it on the 50th anniversary website:
Our indexer Lisa has finished describing the George A. Morlander Photographs collection which we have put online in Alaska’s Digital Archives. Here’s what she has to say:
George Morlander moved to Alaska from Minnesota in 1925 to teach for the Alaska Native Service (ANS). The ANS teaching positions in various schools took George and his wife, Lona, to Kivalina, then along the Yukon and Kuskokwim Rivers, and then on to southeastern Alaska. George later became the superintendent of the ANS boarding school in Eklutna, Alaska. Though the boarding school moved locations twice after World War II, George chose not to move with the school. He had suffered a leg injury while traveling by dog sled, and this factored into his decision to finish his career as an administrative assistant in Bethel. Moving to Ferndale, Washington upon his retirement in 1952, George lived until 1986 when he passed away at the age of 92.
The 826 color slides that make up the George A. Morlander collection show an amazing cross-section of Alaskan geography and culture. Mostly taken between 1948 and 1950, these photos cover locations all over the state of Alaska. The varied subjects of these photos range from school children at recess, to fishing and subsistence living, to dog sledding and other travel, to landscapes, and more. Many photos capture Native Alaskans in traditional dress, as in photos UAF-1997-108-844, UAF-1997-108-878, and UAF-1997-108-765. Some evoke a feeling of wonder at the vastness of this state, and some a healthy respect for the harshness of the climate in this land. In working through this collection, I felt I became a little better acquainted with this state and its people. It was very difficult to pick out just a few photos to highlight, as there are so many great ones in this collection!
Our indexer Alex has finished describing the Carl J. and Dorothy L. Aho Photograph Collection which we have put online in Alaska’s Digital Archives. Here’s what he has to say:
The Carl J. and Dorothy L. Aho Photograph Collection is comprised of 71 black and white photographs taken around the time of the Second World War, all pertaining to the United States Naval Air Transport Service. The majority of the photos involve airplanes, whether focusing on planes directly or taken from onboard flying aircraft, though several other photos depict the seemingly ordinary interactions of Naval Air Transport Service members. The result is a dynamic, variable collection full of dramatic movement and breathtaking perspective.
The photo “Dog teams near landing strip” is particularly striking, as it depicts a
pair of dog teams racing along a snow-covered runway while an airplane touches down in the distance. A sense of speed is palpable here, as both the dogsled teams and the airplane seem to hurtle toward the viewer. In fact, they seem almost to be racing. The stark contrast between the shadowy sled teams, the white snow, and the overcast sky invokes a feeling of inevitability, of fatedness, while the juxtaposition of the ages-old technology of the dogsled alongside the relatively new technology of the airplane seems painfully suggestive of the Earth-shattering changes that the War would bring.
In addition to these kinds of dynamic action shots, the Collection contains a number of aerial photographs that are equally striking, including some dreamy images of mountain peaks jutting through a floor of clouds, or volcanoes belching smoke into the atmosphere. My favorite of the aerial photography is entitled “Aerial view frozen river,” which depicts what might be considered a relatively ordinary (albeit panoramic) view of a river and a hillside. As a result of the intense contrast between the lightness of the river and the darkness of the hill, however, the image appears strange, abstracted, with a ribbon of light winding up through a valley of brushed felt. The effect is that, at first glance, we might not comprehend what we are seeing. This, to my mind, can make for an immensely gratifying artistic experience, as it suggests something powerful about the variability of experience, that things are not always what they seem, and that there are many different ways of looking at the world.
Finally, there are a number of photos depicting the actions of Naval Air Transport Service members, some of which are hauntingly beautiful (particularly “Village, probably Barrow” and “Two men near a box labeled ‘Top of the World Aerological Station, U.S. Navy’s Northern Most Outpost’”). The best (and best-named) of these images is “Men around table at Top of the World Club,” which, as you can imagine, depicts men lounging around a table in a Quonset hut. I’m struck here by the demeanor of the men, which seems so at ease, and the way the “club” seems so feebly yet so lovingly decorated. It strikes a kind of bittersweet chord, especially when paired with some of the other photos in the Collection, which often feature men in coats and boots, bundled up against the Alaskan winter, working hard to help win the War. Here, the men are in shirt sleeves. They are, for the time being, comfortable, at ease. So are we.